Judith Shatin’s Grito del Corazón combined washes of harmony in tape and saxophone …with a video whose shifting shapes moved with convincing (and often disturbing) physicality. The music and video grew together over the course of the work – the sax into melodies, and the video into human and animal forms dimly emerging. Both music and video evoked the terror and intensity of Goya’s Black Paintings compellingly. – Journal SEAMUS
Judith Shatin’s Grito del Corazón stood out because of the beautiful blending of the acoustic instruments and the electronics. –ClarinetFest (2008, Henri Bok)